Friday, March 09, 2007

Parashu on art of cinema

You know what, actually, 'Good cinema' or 'award cinema' is not meant for a layman, because it's goal is not to operate with cliches or existing audio-visual language. it is meant for those in the filmmaking trade, much like a trade journal or a concept car to those in the engineering or auto-industry. It's role in the system is to stretch beyond cliches, the form/content. Art cinema has the role of exploring new ways of telling stories. stretching the medium to its limits... the new idioms thus created eventually gets adopted into the mainstream/ commercial cinema.

In the media i have heard certain filmmakers and critics talk about good cinema as an opposite of commercial cinema.

'Good' is subjective, we could fight over what is good or not yet not find an answer. Good cinema. what the fuck is good cinema anyways.

commercial cinema is a term used to categorize films that play to the gallery, whose objective is to entertain, and titillate primal senses and aspirations of its viewers. It is called commercial cinema, because of its primary motive to make profit. Continuing to speak in the same breath; Good cinema doesn't play to the gallery. It has an arrogant stamp of its maker. Who says 'this is the way i want to say it, see it or go to sleep'. That is the way it is meant to be.

Let us face it. It is an art to entertain people. not every toms, chandrans, and harrys can do that. It is an art to entertain and make money. every filmmaker dreams of it. maybe not for moneys sake, but as an indicator of a being heard by a larger audience. (larger the audience more the money)

But why do we need the so called good cinema which will put a layman to sleep to have commercial release, ending up being a waste of money and precious time because it is not the audience it is meant for. Good cinema has rightful place in the cinema ecosystem when it is not seen as the opposite of commercial cinema. This is the bane of Art cinema in Kerala- The art filmmakers who see 'Good' Cinema as something against Commercial cinema. It has to be made with an aim to create new audio-visual idioms rather than stick to the form of film noir or cinema verite which unfortunately is the only genres made in the name of art films in this part of the world.

Thursday, January 25, 2007

SHAME! SHAME! The butcher on the wall- Saddam is inducted into the CPI(m) 'Wall of fame'


"Deshabhimani, a Malayalam daily and a CPI(M) organ, ran an editorial on Saddam titled Lal Salaam. Even CPI minister Binoy Vishwam wrote a column in another daily...."

WHY is the CPI (m) doing this?

"....Saddam was the CPI(M)'s poster boy in the recent Assembly polls and last month's Assembly bypoll in Thiruvambadi. The CPI(M) defeated the IUML there"-

Report and photo taken from DNAINDIA. http://www.dnaindia.com

This stand is contrary to the stand that the communist party has taken worldwide. In kerala the CPI(M) is inducting the US slain ex- president of Iraq into their 'wall of fame' alongside che, lenin and other foreign dignitaries. SHAME ON THEM. Please note that the public memory is really short. Not long ago Saddam was called the butcher of bagdad for killing of innocent people of Iraq and attacking Kuwait.But today he is forgiven, he is a hero. Good for him. SHAME ON YOU. Shame on you Deshabhimani editor-in-chief. Shame on you Kairali TV editors. Shame on you, Kerala Communist Party Leadership.

This is the stand taken by Communit League. www.communistleague.org
I am glad that there is some Communists with a historic perspective on this issue.

This what they say “The communist league has no interest in adding its voice to either of the two competing chorus shouting about the execution-style killing of former Iraqi President Saddam Hussein al- Tikriti at the hands of the U.S. sponsored government of Prime Minister Nouri al- Maliki.
Even though we shed no tears over his demise, we refuse to join hands with those who are ‘celebrating’ his death.
Based on our own observations, these ‘celebrations’, and the people who organize them, are tools of Washington and the Bush regime, designed to manufacture ‘public opinion’ that can be spoon-fed to the people of the U.S and other countries by the corporate media.

Even though we believe the ‘trial’ of Hussein was a show trial, with the verdict and sentence fixed in advance, we refuse to join hands with those who are ‘protesting’ his death.

From what we have seen, those who are organizing these ‘protests’ whether they are described socialists and communists or are from the arab community, alibi, apologize for and even act on behalf of some of the most reactionary elements helping to tear apart and wipe out the people of Iraq”

READ ON

Thursday, October 26, 2006

Why not truth now?

Like the zen master said, truth does not always liberate masses/ society/ community. They have to be readied to first accept the truth, to understand the truth in its real context and perspective. The ground has to be prepared for the seeds to be sown.

-like the true stories about how behind closed doors detailed strategies are drawn to tighten the grip of control over a community's perspectives and further shape it by the the moral standards of the media baron's orthodox family values, using a network of marketing agents who stand guard to the empire of profit that is founded on instilled sense of guilt, shame and false pride of community.
i know real stories of people, (more than one), driven to edges of depression and despair by the network of information that is in place for the media network. it is scary. the network of control is like a state military intelligence. they use it to intimidate the powerful and drive common man to suicide.

or

real stories of how the liberators/ party of the poor, innovate and learn new techniques of extortion to build a corporation so huge that it makes the ex- oppressor look like a petty thief. how they are mastering the art of extortion of public and private fund over phone calls, leaving no messy trail of evidence. all legit fund creation, that will fund the future uprising of the masses fed and blinded on liquor and hyper-reality. They are not ready for the truth.

Many true stories are condemned to languish in small gatherings and get passed on as murmurs ear to ear within closed circles, sometimes leaking out into the mainstream as hearsay and as a report of news from a reliable source, which never really gets substantiated and ends up as mere gossips or conspiracy theories.

Wednesday, September 06, 2006

Conversation with a 'Pulayadi mon'

Parashu - "Worn-out by the sun and stress I settled under the tree. Summer sun was scorching my scrotum"

- "The fully opened municipal tap dripped, my hopes were brimming over the Bisleri bottle as the drops collected at the bottom. Across the road, through the mirage, mud huts were bleached out in the afternoon brightness. Out of the luminescence appeared a local Goddess with a full earthen pot and let me quench my desire. She was a true Goddess..."

On hearing that, 'Pulayadi mon' interrupted and started to drool, making hand gestures that implied sex -"mmehhmmm...yymmmeeeemm......"

Parashu- "No, 'O great son of Pulayadi'... We did not fuck"

-"There is more important matters than sex and fixations with sex, in this case it was water"

Short films | Made using DSLRs

Now with the Canon EOS 5D MKII , the boys can become men sooner. The rituals of climbing the filmmaking hierarchy will be a lot easier, ...